![]() ![]() The Nightmare simultaneously offers both the image of a dream-by indicating the effect of the nightmare on the woman-and a dream image-in symbolically portraying the sleeping vision. Contemporary critics were taken aback by the overt sexuality of the painting, since interpreted by some scholars as anticipating Jungian ideas about the unconscious. The incubus and horse's head refer to contemporary belief and folklore about nightmares, but have been ascribed more specific meanings by some theorists. ![]() The canvas seems to portray simultaneously a dreaming woman and the content of her nightmare. ![]() In response, Fuseli produced at least three other versions. The painting's dreamlike and haunting erotic evocation of infatuation and obsession was a huge popular success.Īfter its first exhibition, at the 1782 Royal Academy of London, critics and patrons reacted with horrified fascination and the work became widely popular, to the extent that it was parodied in political satire and an engraved version was widely distributed. It shows a woman in deep sleep with her arms thrown below her, and with a demonic and ape-like incubus crouched on her chest. The Nightmare is a 1781 oil painting by Swiss artist Henry Fuseli. ![]() For other uses, see Nightmare (disambiguation).ĭetroit Institute of Arts, Detroit, Michigan ![]()
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